With sea-level rise already remaking shorelines and cities worldwide, this quilt offers a deliber-ately alarmist vision of what might happen to San Francisco’s iconic downtown. It deconstructs images of real buildings that hug the water’s edge and reconstructs them … in different places, akilter, even partially submerged. Machine embroidery hints at an additional, ever-present threat: seismic upheaval.
The quilt has been juried into Shifting Tides, a seven-region Studio Art Quilt Associates exhibition focusing on the Pacific Ocean ecosystem, its natural diversity, and the human activities that both sustain and threaten ocean life and the places that border it. The show will travel for 2-1/2 years, premiering at Works/San Jose on April 19, 2019 in San Jose, California. It runs through May 5, 2019 and then moves to at least seven other venues, see below.
Quilts in many SAQA shows are now accom-panied by audio commentary from the artists. Visitors at show venues can listen on their phones; viewers of SAQA’s online galleries can hear audio through their computer. Here are my remarks:
I’m the kind of person who’s gotta be outside every day … hiking, biking, walking the dog … the closer to the shore the better. So it’s easy for me to see that the Pacific’s not quite so pacific any more. Tides regularly swamp my shoreline paths … waves splash onto my downtown sidewalks.A little research into sea-level rise told me I was seeing a trend, not merely an anomaly. Just 16 inches of sea-level rise, and the tollbooths of the Bay Bridge could be flooded. Two feet of sea-level rise, and the runways at the airport start to go under. Three feet, and waves would slosh into San Francisco’s iconic 1898 Ferry Building twice a day—that’s the white, clock tower building in the center of my quilt. Eight feet, and scores of downtown office high-rises, sidewalks, sports arenas, hotels, city streets, tech campuses, underground and surface transportation become vulnerable.I hope the dystopian drama of ”Whither the Wayerfront?” will stop people in their tracks for a moment or two … remind them that the potential for a natural disaster is real … and that change needs to start right now.
Photography by Douglas Sandberg
Cathy Miranker Quilts 
Fabulous art quilt! I really liked hearing you explain your process during the Olive Hyde Gallery artist QA this morning. And the close-ups on this web page are really helpful to appreciate the details until I can see tit in person. Adriane Dedic
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